Tuesday, June 11, 2024 Editor: Marianne Dougherty In Conversation with W. Bruce Cameron

W. Bruce Cameron is the creator of the most beloved brand of family entertainment in the world. His 2010 novel, A Dog’s Purpose, has been translated into over 50 languages, spent 52 weeks on the New York Times bestseller list and continues to top bestseller lists worldwide. The 2012 sequel, A Dog’s Journey, was an instant New York Timesbestseller. The Amblin/Universal film of A Dog’s Purpose (Cameron and his wife Cathryn Michon wrote the screenplay) is the most successful international live-action dog movie of all time, beating previous champ Marley and Me. Cameron has appeared on some of the most popular shows on television: Oprah, The Today Show, Good Morning America, CBS This Morning, 360 Anderson Cooper and Entertainment Tonight to name just a few. His latest novel is Love, Clancy: Diary of a Good Dog, a deeply moving story with a brand-new cast of characters, including one very good dog.

 Do you remember the first dog you ever had?

 A little black Lab puppy. There were no dogs in my neighborhood when I was growing up, and ours was the only house with a fenced-in backyard. I remember running around this open field with a gang of boys playing war and other games. One day my father walked through the gate with this black Labrador puppy named Cammie, and we ran toward each other like we had been separated at birth. When I wrote A Dog’s Purpose, I lifted that scene from my own childhood to describe the moment that Ethan, who is eight years old just like I was, meets Bailey, who was based on my dog Cammie.

 A Dog’s Purpose is probably your best-known book. What’s the backstory?

 I had moved to Los Angeles and met the woman who is now my wife. We were both freshly divorced and at an age where dating just didn’t seem worth it, but we decided to go on a date anyway. At one point, she asked me to meet her parents, who lived in the Bay Area. The drive from L.A. can take several days so we had a lot of time to talk. She told me that she had lost her dog, who was only three when he died, and then she said, “I’m never getting another dog. I can’t go through this again.” My immediate reaction was, this relationship is over. But we had many hours ahead of us because we were on the 405 moving at the speed of park. When I want to persuade someone of something, I make up a story, and I decided that I could convince her that she was wrong if I did that. I wanted her to believe that the love she had for her dog was available to her in another dog if she’d just open her heart. So, I told her a story about a dog who reincarnates, remembers each life and finds his way back to save the boy he belonged to first. The message was that the dog that comes back to you in the future might be your angel dog, your one dog.

 So, did it work?

 She insisted that I had to write it. Now Cathryn has a book of her own coming out on September 10, 2024. It’s called I’m Still Here: A Dog’s Purpose Forever.

 What can you tell us about the sequel, A Dog’s Journey?

 The final chapter of A Dog’s Purpose suggests that the story is over, but I realized that I had written a story about a dog who doesn’t die and owed people an explanation. In the first book the dog keeps returning to different people to learn different life lessons. So, I flipped the plot and made the dog an old soul in the second book. He’s here to learn his true purpose and discover what makes life meaningful. My wife and I wrote the screenplay for the film, which is probably my favorite of the two because it was directed by a woman named Gail Mancuso. You can tell that she’s also a woman who loves dogs.

 What is it about dogs that make us grieve so long and hard when we lose them?

 I think it’s because we have so thoroughly domesticated dogs that they are completely incapable of living on their own. They need us. That’s not true of cats or many other domesticated animals. You can’t open the door and tell a Dachshund, “Now go hunt.” They won’t fend for themselves. Actually, this is a great segue into a promo for my next book, My Three Dogs, which comes out on October 29, 2024. It’s the story of a fun-loving doodle named Archie, a quick-witted Jack Russell named Luna and a loyal Australian Shepherd named Riggs. Their owner, a man named Liam, is in a car accident and falls into a coma. Because he had made no prior arrangements, two of the dogs are taken to new homes. Riggs is the alpha dog, and he sets off to find the rest of his pack and round them up so they can be reunited with Liam, but they end up living on the street for a time.

 While you’ve been writing most of your life, you’ve said that success came later for you and that you have a lot of unpublished books taking up space in your closet. What can you tell us about that?

 Honestly, while I had always been the best writer in my creative writing class, I was a nobody when it came to competing in the marketplace. I had written nine unpublished books before I sold A Dog’s Purpose. Maybe that’s because the subject matter was all over the place. Failure is how we learn, and I had a lot of them.

 Your latest book is Love, Clancy: Diary of a Good Dog. What can we expect?

 It’s a departure for me in some way. For one thing, I try really hard not to anthropomorphize the dogs I write about. I give them a sophisticated vocabulary because dogs have a vocabulary of about 250 words. I also give them complicated feelings, thoughts and emotions, but nothing that doesn’t ring true. In this book though, Clancy keeps a diary. The first line is, “Dear Diary, the cat is despicable.” His goal is to get rid of the cat, but Clancy is a yellow Lab, and they’re not known to be strategic thinkers. His owner has a lot of crazy people in his life, and they all go on a road trip. It’s told from the dog’s point of view, and I think it’s the funniest book I’ve ever written.

Welcome to the 51st Annual Santa Barbara Writers Conference Sunday, June 9, 2024 byMarianne Dougherty

In Conversation with Antoine Wilson, speaking at SBWC, Sunday June 9 at 7:00 PM at the Mar Monte Hotel.

Imagine his surprise when Antoine Wilson woke up one morning, checked his messages and found out that his novel Mouth to Mouth was featured on Barack Obama’s Summer Reading List in 2022.
“None of us new beforehand so, yeah, it was a surprise, but I was elated on behalf of the book because someone would buy it now,” he says with a laugh. “It’s like you write this book, and it’s out there having its own life like a kid you sent off to college. I think the impulse to become a novelist came from my own reading experience. I wanted to get into someone else’s head the way some author had gotten into mine, but when you’re the author you’re not part of the process. You’re not there when someone discovers your novel. It’s like you set two people up on a date, but you can’t go along.”

 No one knows how Obama finds the books that eventually make his reading list, but you can’t buy publicity like that. Wilson is also the author of two other novels, Panorama City and The Interloper, which writer T. Coraghessan Boyle found “as assured and sumptuously written as any first novel I’ve encountered.” Wilson’s work has appeared in The Paris Review and Best New American Voices, and he is a contributing editor of the literary magazine A Public Space. A graduate of the Iowa Writers' Workshop and recipient of a Carol Houck Smith Fiction Fellowship from the University of Wisconsin, he lives in Los Angeles with his wife and two children. Check out his Instagram account @slowpaparazzo. Instead of star sightings, he posts photos of places just after a celebrity has left the premises because he’s the slow paparazzo. “I wanted to do something with the frisson of a celebrity sighting but in a way that wouldn’t bother the celebrity,” says Wilson, who has posted a photo of the table that Jeff Goldblum had just vacated at a frozen yogurt shop and the cheese counter at an upscale deli where Oswalt Patton had been perusing the selections. Funny stuff.

 Let’s talk about Mouth to Mouth. What was the inspiration for that novel?

 The original version was a short story idea I had about a guy saving someone from drowning in a municipal pool. Something similar had happened to me in the ‘90s when I saw a guy who was air drumming with headphones on and would have got hit by a train if I hadn’t stopped him in time. I remember that he said, “Oh my God, you saved my life. I’m going to buy you a big steak dinner.” Then the train went past and he just walked away, still air drumming. The friends I was with made fun of me for not getting that steak dinner. That got me thinking about how many steak dinners a life is worth, but it didn’t work as a short story. So, I wrote this novel about somebody who saves the life of someone who’s not a good person. I abandoned it at least a half a dozen times until I came up with the narrative framework. The whole story is told by the rescuer to the narrator, a writer sitting in the first-class lounge at JFK. I got the framing device after reading Austerlitz by W.G. Sebald, who uses an unnamed authorial stand-in who receives the story of Jack Austerlitz. I thought that it might be the key to making my book work, and it was.

 How did you end up at the Iowa Writers’ Workshop?

 I found out about MFA programs when I took a class at USC with T.C. Boyle. I didn’t really know any other writers, but when I got to Iowa where the focus was on writing, I felt like I had found my tribe. I had two years to practice the craft, but I had so little education in creative writing that I tried short stories first. I knew I wanted to be a novelist, but I needed to try a lot of different things while I was there. I got a fellowship in creative writing from the University of Wisconsin, and spent three years working on a novel that ended up not being a book that I’d want to read. It happens. I tried to get an agent and failed so that book is in a drawer. I decided that when I embarked on another novel, it needed to be a high-wire act. I needed to step into the void with this premise I had and write a first-person novel.

You delivered on that promise with The Interloper, which was inspired by the murder of your brother when you were seven years old. What can you tell us about that?

 It was my older half-brother, the middle child of three boys with my father’s first wife. We didn’t grow up in the same house, but I looked up to him. He was driving across the country and was in Nebraska when it happened. There’s a documentary about the whole thing called “Just Another Missing Kid.” He was 19. I wanted to write about it but also felt it wasn’t my story to tell, that it belonged to my dad and his first wife and my half-brothers. In my book, the narrator, Owen Patterson, makes it his mission to exact retribution for the senseless murder of his brother-in-law by writing letters to the murderer, who is in prison. Owen doesn’t think prison is punishment enough, so he pretends to be a woman, using the pseudonym, Lily Hazelton. His plan is to seduce the murderer, then break his heart. Essentially, he’s the interloper because he has made a mission out of something that isn’t entirely his emotional business.

 You’ve said that Panorama City is your favorite book-child. How so?

 My son was in a co-op pre-school, and I spent a lot of time with these kids, who were illiterate, optimistic and very social. I wanted to write a comic novel, and they became an under-the-radar influence. My protagonist, Oppen Porter, is very naïve and also illiterate, optimistic and very social. He’s in the hospital where he thinks he’s dying so he uses a tape recorder to tell his unborn son the story of his forty-day journey from innocence to experience, from a self-described “slow absorber” to man of the world.

I like to call it my spiritual autobiography.

Are you working on anything new?

I’m always working.

Antoine Wilson

Photo Noah Stone

June 9-15, 2024: Santa Barbara Writers Conference Welcome Letter for Attendees

Dear 2024 SBWC Attendees,

The Santa Barbara Writers Conference begins Sunday, June 9.  We look forward to meeting you and hope you have an exciting week at SBWC.

Sunday, June 9, 11:00 AM – Check in will begin in the Fireside Room at the Mar Monte Hotel on the first floor…you may check in anytime during the week as well.

If you are signed up for one day or a partial week, this is also where you sign in when you arrive.

You’ll receive:

  • Your name badge and lanyard, which will be your pass to all conference events

  • A program booklet for the week, including a map to help you navigate

This program/schedule is available on the home page at sbwriters.com.

  • We’ll have volunteers available to help you navigate the conference and answer any questions you might have.

Appointments with manuscript consultants:

We’ll have 7 manuscript consultants available throughout the conference week. You’ll be able to make appointments directly with them in the Fireside Room, the same room where you check in with the conference, and where we have the SBWC bookstore. We will also have 5 consultants on the business side of writing, publishing and promotions.

Sunday, June 9

2:00 -3:30 PM – Welcome and orientation in the Pacific Ballroom

Hear bestselling author of 20 books and SBWC alum, Kimberley Troutte, speak about her writing journey.

Meet some of the workshop leaders and get tips on navigating the conference. If you can make this free session, it’ll give you a leg up on getting the most out of the week. If you cannot be at the orientation, our staff of volunteers will be around in the Fireside Room every day throughout the conference to answer your questions.

4:00 – 5:00 PM – Poets Laureate Panel

All 8 living Santa Barbara Poets Laureate will be onstage to talk about the relationship between poetry and other forms of writing. This event is free, and you may attend even if your registration does not include Sunday.  

Opening Night Dinner in The Terraces

5:00 PM  No-host bar

5:30 PM  Dinner

 If you aren’t registered for Sunday banquet tickets are available for $85. 

7:00 PM Keynote Address in Pacific Ballroom– Author Zohreh Gharemani will open followed by keynote speaker Antoine Wilson. Book signing follows in the Fireside Room.

9:00 PM – The Pirate Workshops begin Sunday night –These late-night, read & critique sessions are great fun for night owls, and there are two to choose from every night, Sunday - Friday.

Monday, June 10 – Friday, June 14

There are many daytime workshops and seminars to choose from each morning and afternoon. You’re free to attend those that best suit your interests. There’s no signup ahead of time…you just show up and see if a workshop works for you. You’ll design your own program.

If you present writing in workshops, remember to bring printed copies of your manuscript to read. Length allowed varies, but approximately 3-5 pages of your beginning is typical. An extra copy to share with the workshop leader is appreciated. If you’re headed to poetry workshops, bring about 12 copies of your poem for crafting.

There’ll be a printer available in the Fireside Room for use by conference attendees.

 Panels and Speakers in the Pacific Ballroom

4 - 5 PM, Sunday – Friday afternoons – author, agent & marketing panels

5 - 6 PM, Monday, Wednesday & Thursday book signing and book fair in the Fireside Room

7 PM, Monday-Thursday we’ll begin the evening program with poetry and then have a keynote speech by a noted author. Following the presentation the keynote author will sign books in the Fireside Room.

These events are included in the conference package for those with conference badges for the day of the event.  Tickets are also available to the public for $15 each.

5:15 - 7:00 PM, Tuesday, June 11 – Poolside Reception - Conference attendees with badges are invited to a cocktail party around the pool. Extra tickets to this event are available for $45.

6:00 – 8:00 PM, Friday, June 14 – Awards Banquet – Friday evening we’ll have our closing night dinner in the Pacific Ballroom with appreciations and a few awards. If you wish to bring a guest, extra banquet tickets are available for $85. 

Tuesday, June 11 - Agent Appointments Your Tuesday appointment times with agents and editors will be given to you when you check in.  The appointments are all on Tuesday, June 11 between 9 AM and 3 PM. If you still need to know your appointment time ahead of checking in, please email info@sbwriters.com and tell us your name and the agents you signed up with.

Agent appointments are all sold out, however sometimes a few appointments open, so check in at info@sbwriters.com if you’d like to be on the wait list.

If you haven’t written your query letter, do that now. Writing a query is a great way to organize your thoughts for your pitch session. Be prepared to listen as much as speak during your time with the agent. They are there to answer your questions as well as to hear about your project. If you will be at the conference on Monday, consider attending Trey Dowell’s seminar on The Art of the Query.

How to Dress –In June, Santa Barbara often experiences morning fog, which burns off later in the day. Dress in layers, so you can peel off a sweatshirt or sweater as the day warms up. The “fashion sense” at the conference is decidedly casual. Many students wear shorts or jeans to workshops. The opening and closing night banquets and poolside reception are also casual events, but it is a great time for something a little dressier if you want.

SBWC Information Desk – All week long during daytime conference hours, there’ll be someone to help you in the Fireside Room, whether you’re checking in late or you can’t find your workshop or need advice on just about anything having to do with the conference or writing.

Bookstore in the Fireside Room Books by all the speakers, panelists, many of the workshop leaders and general books of interest to writers. Author signings will also take place in this room. If you have a book in print and wish to bring it to sell on consignment, you may.

Dining at the Hotel – The Mar Monte has a small restaurant and a smaller café in the bar where you can order from a similar menu. The Reunion Kitchen is across the street on the beach, another great place to eat. From there, Santa Barbara is full of choices. Note: the hotel service can seem slow as they are serving a big crowd while we are there that is not typical for them.

Parking – The Mar Monte Hotel offers valet parking only, for a fee. There’s plenty of convenient street parking, but pay attention to “street sweeping” signs.  There’s reasonably priced parking in the city lot across the street for the day. Don’t forget to put enough money in the self-serve collection boxes to avoid a ticket. Yes, they do check!

 If you can walk a bit, there’s plenty free parking in the lot at the far corner of Ninos Drive and Por La Mar that serves Dwight Murphy Park. There is more street parking all around the park.

Facebook Group: https://www.facebook.com/groups/santabarbarawriters/

If you have not signed up for our monthly e-newsletter, you may do so at sbwriters.com. This is an opt-in list, and you may unsubscribe at any time.

SBWC Talent Show

If you have a talent besides writing, you might want to participate in the SBWC talent show in the Fireside Room after the Friday Awards Banquet. Or this is a great way to unwind after an intense conference week by being an appreciative audience.

If you still want another read and critique workshop on Friday night, the pirates will continue into the wee hours.

We hope you’ll have a fantastic week at the 51st Annual SBWC. See you there.

Write On!

Grace Rachow, SBWC Director

Questions?  You may respond to this email or email info@sbwriters.com.